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Name: Pink
Birth Name: Alecia Beth Moore
Gender: Female
Born: 8 September 1979
Star Sign: Virgo
Famous as: Singer, songwriter
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Pink (often written as P!nk) is an American singer-songwriter working in the pop-rock
field.
She released her first album, Can't Take Me Home, in
2000
to considerable commercial success: it went double platinum in the US,
sold four million copies worldwide, and produced three hit singles
(There You Go, Most Girls and You Make Me Sick).
In
2001,
Pink recorded a cover of the song, Lady Marmalade with
Christina Aguilera , Lil' Kim and Mýa for the soundtrack
of the movie, Moulin Rouge!. This single reached number one in the
charts in the
United States,
Britain and
Australia,
and also won a Grammy Award. Since then, Pink has continued to release records,
achieving further commercial and critical success. She also appeared in
several movies, including
Ski to the Max (2000),
Rollerball (2002)
Charlie's Angels: Full Throttle (2003) and
Catacombs (2007).
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Pink
Released: 2006-04-04
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La Face
Released: 2001-11-20
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Asian exclusive limited edition pressing of her sophomore album includes one bonus track, 'Catch 22', along with a bonus CD sized spiral bound 40 page 'Dear Diary' note pad that's housed together with the CD in a special slipcase. Enhanced with photo ogallery and lyrics page. 15 tracks in all. 2002. |
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La Face
Released: 2000-04-04
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Japanese limited edition reissue of 2000 album, scheduled to include bonus tracks. Details TBA. BMG. 2004. |
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La Face
Released: 2003-11-11
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While detractors may grouse that Pink's third album doesn't have a dance floor anthem on it like the incendiary "Get The Party Started" from 2001's Missundaztood, some prefer their Pink straight up and damn the paper drink umbrellas and crepe paper. She's at her very best raiding her own troubled autobiography for inspiration, spitting out vituperrious vocal epitaphs like seeds from a ripe watermelon instead of the angst-ridden confessional romp she took through Missundaztood. Maybe she's worked all that out on a psychiatrist's couch, because this time out her anger is much more arch and entertaining; likely due to her pairing with Rancid's Tim Armstrong, who co-wrote and produced most of the disc and certainly knows the value of turning rage into a well-crafted musical punch line. As unlikely as the collaboration looked on paper, it works perfectly because the Pennsylvania native has always brandished a punk sneer beneath the corsets, gaudy hair color, and naughty girl demeanor. Armstrong and his Rancid cohorts (Lars Frederiksen and Matt Freeman) inject feral rock action into the disc with their truncated guitar sounds and trash can drumming and provide a perfect foil for Pink's foul-mouth rants and backstage laments like "Last To Know." But Pink hasn't shaved her spiky coiffure into a Mohawk. She still smolders on a soulful ballad like "Catch Me While I'm Sleeping" or trades vitriol with raps' redoubtable sex kitten, Peaches. --Jaan Uhelszki |
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La Face
Released: 2007-12-11
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La Face
Released: 2003-11-11
Audio CD
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Lowest New Price: $4.00
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While detractors may grouse that Pink's third album doesn't have a dance floor anthem on it like the incendiary "Get The Party Started" from 2001's Missundaztood, some prefer their Pink straight up and damn the paper drink umbrellas and crepe paper. She's at her very best raiding her own troubled autobiography for inspiration, spitting out vituperrious vocal epitaphs like seeds from a ripe watermelon instead of the angst-ridden confessional romp she took through Missundaztood. Maybe she's worked all that out on a psychiatrist's couch, because this time out her anger is much more arch and entertaining; likely due to her pairing with Rancid's Tim Armstrong, who co-wrote and produced most of the disc and certainly knows the value of turning rage into a well-crafted musical punch line. As unlikely as the collaboration looked on paper, it works perfectly because the Pennsylvania native has always brandished a punk sneer beneath the corsets, gaudy hair color, and naughty girl demeanor. Armstrong and his Rancid cohorts (Lars Frederiksen and Matt Freeman) inject feral rock action into the disc with their truncated guitar sounds and trash can drumming and provide a perfect foil for Pink's foul-mouth rants and backstage laments like "Last To Know." But Pink hasn't shaved her spiky coiffure into a Mohawk. She still smolders on a soulful ballad like "Catch Me While I'm Sleeping" or trades vitriol with raps' redoubtable sex kitten, Peaches. --Jaan Uhelszki |
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